Entertainment = Compassion 4Evah!

I'm doing a little light reading while here in Toronto; John Perkins' Confessions of an Economic Hit Man. A little break, I thought, from my usual reading list. This is about globalization and power, not about compassion, I thought. If what he says is true, it's horrifying; if it's even partially true, the world is being pillaged and people are being impoverished and murdered so that a tiny few (including me!) can live a life of extraordinary privilege. Perkins wrote the book, he says, as a confession, to come clean about the career and life he lived for decades:

"...this book is not a prescription; it is a confession, pure and simple. it is the confession of a man who allowed himself to become a pawn, an economic hit man; a man who bought into a corrupt system because it offered so many perks, and because buying in was easy to justify; a man who knew better but wh could always find excuses for his own greed, for exploiting desperate people and pillaging the planet; a man who took full advantage of the fact that he was born into one of the wealthiest societies the world has ever known, and who could also pity himself because his parent were not at the top of the pyramid; a man who listened to his teachers, read the textbooks on economic development, and then followed the example of other men and women who legitimatize every action that promotes global empire, even if that action results in murder, genocide, and environmental destruction; a man who trained others to follow in his footsteps. It is my confession."

Perkins does, however, offer a dream that got me a-thinkin':

"...those highly effective communications and distribution networks could be used to bring about positive and compassionate changes. Imagine if the Nike swoosh, McDonald's arches, and Coca-Cola logo became symbols of companies whose primary goals were to clothe and feed the world's poor in environmentally beneficial ways. This is no more unrealistic than putting a man on the moon, breaking up the Soviet Union, or creating the infrastructure that allows those companies to reach every corner of our planet. We need a revolution in our approach to education, to empower ourselves and our children to think, to question, and to dare to act. You can set an example. Be a teacher and a student; inspire everyone around you through your example."

You can set an example.

So I dare you to stop for a moment and use your imagination. Close your eyes if it helps.

Imagine that entertainment is a symbol of compassion. Imagine that when people think of actors, writers, directors, when they think of movie studios and movie stars, when they think of summer blockbusters and the Oscars, they think of compassion. They think of an entire industry that's devoted to compassion; whether feeding the hungry, caring for the sick, or simply honoring the human condition. Imagine that the primary goal of everyone in the entertainment industry is to care for the wellbeing of others. When a movie studio determines whether to make a film, the biggest question is, how does this serve others? When an actor chooses to take on a role, he or she is primarily thinking, what does this contribute to the world? Imagine that a young actor, writer, or director begins a career by thinking, how am I working to make the world a better place for others?

Okay, open your eyes.

It doesn't mean we give up profitability, or fun, or spectacle. There are a million places it's already happening, in compassionate performances, in compassionate filmmaking, in compassionate writing, in everyone who contributes to films that make a difference. It goes from low-budget documentaries like the amazing How to Fold a Flag that I saw yesterday, to the Oscar-buzzed Up in the Air and An Education, to Fox's new show Glee, to animation, to music, from poetry to design, from art to architecture. So what if that kind of work became the very definition of success; what if every young aspiring entertainer viewed themselves as a vehicle for contribution?

Think about this:

What if everyone knew that the entertainment industry was primarily interested in making the world a better place? What would that make possible? *

Entertainment = Compassion 4Evah!

Vote for My SXSW Panel!

Please, take a moment and VOTE for my SXSW panel by clicking here:

http://panelpicker.sxsw.com/ideas/view/3328

Make sure to vote "thumbs up." With enough votes, I'll have a chance to bring guests to Austin in March to talk about compassion as it relates to film, at one of the most important film festivals out there.

The panel is called:

What Would Buddha Shoot? Why Compassion is the key to the most extraordinary career possible.

and if you're reading this, you know what I'm talkin' about!

Help bring compassion to the film industry! Vote!
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Vote for My SXSW Panel!

Casting Director Mark Bennett's "Thoughts on Compassion"

The prominent casting director Mark Bennett, whose recent credits include Kathryn Bigelow's stunning Hurt Locker, and Niki Caro's upcoming The Vintner's Luck, was kind enough to share his thoughts on compassion with us. I've known Mark for years, and have always found him to be smart and passionate, but I wasn't prepared for what he had to say about compassion. His thoughts truly echo my own, and it's no surprise that his work is of such consistently stunning quality given the genuine depth of his compassion. Thanks, too, to Monique Gabriela Curnen (full disclosure, an Authentic client) who Mark talks about in the piece.

THOUGHTS ON COMPASSION
Mark Bennett

Recently, an actress came in to read for me for a film that I was casting. She was one of the many in LA who are talented but are still struggling - and it was a big role. She was visibly nervous, and said so.

"Why?" I said. "We're all in this together."

She looked at me like I was speaking another language.

And in a way, I probably was. The movie business is rough, and we're told so often that it's a bloodsport that we start to believe it. I see it happen to actors: the first time I meet them, they're usually happy to be there, excited to be able to practice their craft. A few years later, some of the ones who haven't yet "made it" (and who are concerned with that sort of thing) start to feel jaded and bitter. They resent the process; they have a lot to say about other actors, always negative; they're bitchy in the waiting room and mean to the assistants. They are angry - and you can feel it in their work. They resent having been denied every role they've ever auditioned for, even the bad ones, mainly because they thought that that part could have led to a better part, which eventually would have led them…where? At what point would they have finally been happy?

When actors ask for advice on plotting their careers, the question I usually ask them is not, Whose career do you want?, but rather, whose life do you want? Will it really make you happy to get in that magazine? To make that much more money? No one lies on their death bed wishing that they had made more money.

I've been as guilty of this as anyone. For years, I chased imaginary carrots in front of my nose, trying to push to the head of the pack, and resenting those ahead of me. The problem with life is that there is always someone ahead of you - someone with more money, or more influence. Stubborn as I am, it took me years to learn this. I had bought the lie that society tries to sell us, that the world is defined by lack, and that the more that other people get, the less there will be for you.

Meanwhile, my life got incredibly small. I felt lonely a lot. In the words of Billy Wilder, "If you don't go to other people's funerals, they won't go to yours."

Now, I am a logical person; I am a big fan of whatever works. And I've come to discover that, more than anything, schadenfreude (rooting for other people to fail) is bad not just because it's bad for your karma but because it doesn't work. I see it with actors at auditions. The actors who book the jobs are the ones who are open, interested, who are happy to be there. It's the bitter or resentful ones that stink up the room, that get the bad reputations. Who wants to hire an actor who has a chip on their shoulder, who is full of resentment? Ironically, it's that same grim resolution to succeed that keeps them from succeeding.

We all come into this world innocent, full of hope. As long as babies' basic needs are met, they are happy. That's why young children are such good actors - they have come not to impress or to achieve, but to play. Then that innocence gets drilled out of us and we spend years trying to get it back; as Sainte-Beuve said, "There exists in most men a poet who died young, whom the man survived." But we still all have the desire to tap into our innate creativity, to experience that moment of transcendence in which we are most creative, and most generous. William Blake called this mysterious power the Imagination, and he said it was God.

So if you accept that we all start from that same place of innocence, then it is impossible not to feel compassion for others - and eventually, for yourself. Now, whenever I hear about a movie star throwing a tantrum on set, or a director dressing down some poor p.a., I think, Wow. They must be one frightened little child, to feel like they have to fight so hard to prove their own importance. And then I say a little prayer for them.

Now when I say a "prayer", I'm not referring to working within any organized religion or belief system. By prayer, I mean just good wishes, a happy little thought. Whenever actors are anxious about an audition, I tell them, "Say a little prayer, first for yourself and then for everybody else in the room - even the other actors. You'll feel generous and less resentful, and then your work will get better." And it does. I see it all the time.

I like to refer to my friend Monique Curnen. I first met Monique years ago, when she was an actress just starting out in New York. What always distinguished Monique, even more than her talent, was her generosity. She always showed up happy to be there, and eager to be of service. Because of this, people rooted for her, and she steadily built up her resume. Two years ago, I was delighted to receive a call from Monique, in which she told me she had to cancel our plans because she'd booked a role in a film.

The film? The Dark Knight.

Right after that, she booked a lead on a TV show, and has been working steadily ever since. Throughout it all, she has remained a really nice person, even since moving to LA (which is no mean feat).

She's going to have a very long career.

Like I said, I am a logical person: I practice compassion because it works. Simple as that.

Do you hear that, actors? Mark casts major movies, and he's telling you that compassion works. Not just in theory--in real, live practice!

Wow, Mark. Thanks so much. I'm sitting here trying to think of something to add, and I can't think of anything.

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Casting Director Mark Bennett's "Thoughts on Compassion"