Showing posts with label Lama Marut. Show all posts
Showing posts with label Lama Marut. Show all posts

Monday, October 12, 2009

Lama Marut talks to Adventures in Compassion about "My Name is Earl," violence, compassion, and impermanence

The amazing and inspring Lama Marut very kindly did a video, expressly for Adventures in Compassion (in the Screen Trade), on a few topics that are near and dear to my heart. Lama Marut recently featured this blog in his newsletter, and it was really exciting for me to hear of his approval of this work, but this interview (with his associate Cindy Lee) is particularly thrilling and informative.

Here are a few highlights - though you should really watch the video to see him deliver his own responses in the way that only he can. So much of what he teaches here is about intention––what do we intend to communicate when we're creating a piece of entertainment?




Cindy asks him if he thinks entertainment can be "Right Livelihood."
"Of course it could. Totally dependent on the intention. What is the intention of the product? Is the product meant to edify or to titillate? Or to exploit?"

"Of course it's possible to use the media responsibly, and a way of helping people, as a way of teaching people compassion, teaching people how to live better lives... teaching people how to relate to others. The entertainment industry has a great possibility of being able to represent other people's lives... which could result in the viewers of those representations having more and more empathy for other people and their lives, getting themselves out of their own skin and feeling what it would be like to be another person."But he warns us of the danger of the portrayal of characters in movies as two-dimensional, like "action figures... with no real lives, no background, no feelings, no family... just stick figures. And then when their heads are blown off we don't feel anything about it because we don't understand that they're human beings."
"If it's just a fancy version of a cartoon there's no compassion, there's no possibility of compassion, no empathy. You have to have a representation of a real person with all the background that we all have as real people to have any empathy for a character."
Cindy goes on to ask him about impermanence, and if portrayal of impermanence in entertainment is useful.
"To represent change as a source of empathy or compassion, that's one thing. To represent change just as change, is no big deal. How else would there be a narrative? ...it depends on what the purpose of the representation of change is.... what's the intention? What's the purpose of the media representation? Is the purpose to titillate, or is the purpose to bring some compassion to the viewer, to bring some sense that what they're watching is another human being just like them?"
So you might think that Marut's tastes tend toward the serious, the sorrowful, or the morose. Not so!
"We have to keep a sense of humor about things, a sense of lightness, otherwise it's just boring and dull and too serious, and that's not helpful.... it's possible to deliver a very very good message, a compassionate message, an empathetic message, in a package that's entertaining, that's interesting, that's funny..."
So what's your favorite show, Lama Marut?
"I like this television show, My Name is Earl, which all about this guy who's just trying to be a good person, he's trying to make amends for the wrongs that he's committed in his life, and it's very entertaining, it's very funny, it's very light, but every episode has a very very strong kind of moral to the story... very useful to be broadcasting a show like that which is teaching people responsibility... that their actions have consquences, that their actions effect other people... the virtue of forgiveness, the virtue of compassion, the virtue of gratitude. These virtues are all packaged up in a very very entertaining form. That's, I think a model."
Marut goes on to point out that we in entertainment have a tremendous responsibility, that the effects of our work go way beyond what we might imagine:
"The entertainment business is hugely influential and should be responsible... what Jon is suggesting, what he's encouraging people to think about is very very important. How can we entertain responsibly without exploiting, without being inured to the violence... the violence on television is awful. I suggest to the people who are watching this that we would not be able to tolerate six, seven, eight years of war, unbroken, had we not been inured to violence because of television. It's just another TV show for us. The Iraq war... the Afghanistan war.. these are just televison shows for us.... because we have been inured to violence, we have hardened our hearts about the suffering of other people who are on the other side of violence. When we're the subject of violence, then we understand it.... that it's not a pleasant thing, that it's an awful things. But when we're the perpetrator of it, or the viewer of it... we become just inured to it. We don't think about it. We don't think that there's another human being on the other side of our violent actions. So to bring some compassion and some intelligence into... the entertainment business, is very important.
Thank you so much Lama Marut, and thank you Cindy Lee! *
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Friday, October 2, 2009

Lama Marut teaches us that we can learn from anyone. Even Glenn Beck.

I was very happy to hear that Lama Marut chose this site as his "website of the month." I've long been a fan of his work and I am pretty sure his podcasts were my first real taste of Buddhism. He's amazing at explaining complex concepts in a very simple and often funny way. There was a good year where I listened to his Dharma Essentials courses for hours each week. He has tons of free audio teachings, ranging from karma, to the Diamond Cutter Sutra, to emptiness, to the Six Perfections, to the Guide to the Bodhisattva's Way of Life, to the Lam Rim. It's great stuff, and he makes it super accessible.

I found out about Marut's selection of this site via email from his associate Cindy, who was kind enough to point me to one of his teachings. I had been trying to remember where I'd heard him talk about how anything or anybody can be your teacher. I fumbled through the concept in explaining how you could be taught something, even by High School Musical. Cindy pointed me to this amazing audio teaching, "The Appearance of the Sacred in Another Being." Give it a listen.


Lama Marut tells us:
“The guru can appear in all kinds of forms... the guru can also appear as your boyfriend, or girlfriend, or husband, or wife, or child, or mother or father. The guru is not limited in their appearance possibilities...

...the guru can also appear as a lake view. Anything that's changing your consciousness.... is the guru at work. anything that's changing your consciousness, anything that's going oh my god maybe life isn't just ordinary, that's the job description... of a guru... 'Make them believe that it isn't just ordinary.' That there's a sacred world right in front of their eyes if they could only see it. Bring them to nirvana... the end of suffering... bring them to heaven by showing them it's been here all along. It's been here right in front of you all along....

...they're like the entry point, the mediating entry point from a profane world into a sacred world. they're like a door that brings you into a different reality. And it is up to you to invest them with that capability. If you don't invest them with that capability they have no capability ever. Zero....

...when you meet another person you have two unconfirmable possibilities.... you can imagine them as just being ordinary, or you can imagine them as being a sacred angel on your case.... put on your case, come down from HQ on your case. And you can't confirm that they're not.... you've got that choice. Which one would be more interesting? Which one would be a better way to live? Which one would allow that person to start helping you? The secret of guru yoga is that you constitute somebody as sacred, as special, as divine in your life. And then everything they say and do from then on becomes a teaching for you.... what kind of lesson was that for me?

The power isn't coming form the guru. The power is coming from you. It's just a feedback device.... you invest the power in them and it comes back to you. and the more you invest in them the more it comes back to you."
So the key for me, then, is to invest everything with the power of the sacred. What can I learn from High School Musical? What can I learn from that guy who cut me off in traffic? What can I learn from Glenn Beck? Hard to imagine, but as Lama Marut points out, your teacher doesn't always appear the way you expect them to. It's up to us to decide to invest something with the power of the sacred, and that enables us to learn from anything.

So the guy in traffic can be a lesson on compassion. Glenn Beck too, believe it or not. Whether you imagine him as a child, or a father, or a husband. (I have no idea if he was ever any of these, not even a kid.) When he's making you really angry, you can imagine what's making him suffer, what's causing him to react so fearfully, and to instigate fear in others.

Thich Nhat Hanh teaches us this, in "Living Buddha Living Christ," how we can forgive even someone who makes us really, really angry:
"'You my brother or sister have wronged me in the past, I now understand that it was because you were suffering and did not see clearly. I no longer feel anger towards you.' Only when you understand what has happened can you have compassion for the other person and forgive him or her... when you are mindful you can see the many causes that led the other person to make you suffer, and when you see this, forgiveness and release arise naturally."
So learning about compassion and forgiveness can come from the most unexpected places! Really, almost anything can be a lesson in compassion; just look at today's headlines, or walk down the street and consider the lives of others, or drink a cup of coffee and imagine all of the interdependent factors that went into you getting that perfect cup. And you can have compassion for the farmers, for the truck drivers, for the baristas, for the workers in the cup factory, and for anyone else who led to you getting your drink. Compassion is everywhere, if you look for it!

Thanks so much, Lama Marut!! *
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Friday, August 28, 2009

Does Comedy Give us Access to Buddha Nature?

I am going to get waaaaaay in over my head here. Y'all should know, I'm no Buddhist scholar, I'm just a guy who reads a lot of books and sits on a cushion every day. Lately, I've been thinking about comedy and compassion, and how they're related. At age eight, I spent countless hours repeating Steve Martin routines, getting the inflection just right:
He kept wanting her to sing... from her diaphragm. [wait for laughs]
I mean, that would take years to learn that, wouldn't it?
Take a look at this video from Funnyordie.com. Full disclosure: June Diane Raphael who appears in the video is a client.


So here we are in the world, having this big nationwide healthcare debate, and people are pissed. And the thing is, each one of them believes he or she is right. Remember: whatever you think is a 100% incontrovertible fact ain't necessarily so. Someone else has a completely different opinion, and to them, it's a hard fact.

Lama Marut has a great way of showing this to us. He gives a lesson in this video about deceptive reality vs. ultimate reality.


The lesson consists of Lama Marut showing his students a pen, and pointing out that all the things we usually think about a pen ain't necessarily so. To a casual viewer, the pen seems fairly permanent, but under a microscope, it's changing in every nanosecond. To a dog, it might appear as a chew toy. Marut says, "Is the dog wrong to see this object as a chew toy? Not from the dog's point of view."

The "death panels" video takes something that someone actually might believe, and showing the absurdity of it. It's giving access to a different point-of-view through comedy. You might believe that death panels will come after your grandparents, and after watching this video, you might rethink your point-of-view. And you might laugh at anyone who believes there could be a such thing as a death panel, but after watching this, you might understand another's fear of it. I'm not saying the people who created the video intended this, I'm just saying it's possible.

So here's where buddha nature come in. All you Buddhist scholars out there, please feel free to correct me where you think I'm missing something. Here's Yongey Mingyur Rinpoche's explanation of buddha nature from his book Joyful Wisdom.
"It's not a characteristic exclusive to the historical Buddha or to Buddhist practitioners. It's not something created or imagined. It's the heart or essence inherent in all living beings, an unlimited potential to do, hear, or experience anything. Because of buddha nature we can learn, we can grow, we can change. We can become buddhas in our own right.... [the Buddha] described it... in terms of three qualities.. boundless wisdom... infinite capability... and immeasurable loving-kindness and compassion––a limitless sense of relatedness to all creatures, an open-heartedness toward others that serves as a motivation to create the conditions that enable all beings to flourish."
Rinpoche talks about Buddha Nature Blockers, which he says are, "cognitive structures that lock us into a limited and limiting view of ourselves, others, and the world around us.... that inhibit us from experiencing our lives with a deep awareness of freedom, clarity, wisdom, and wonder that transcends the conventional psychotherapeutic model of simply becoming okay, well-adjusted, or normal."

The second Blocker, he says, is "a critical view of others" which can show up in different ways, including the "point of view that everyone is less important, less competent, or less deserving than oneself..." or, "a tendency to blame others for the challenges we experience." And the fifth Blocker is "traditionally interpreted as self-obsession... We cling to our opinions, our storylines, our personal mythologies, with the same desperation with which we hold to the sides of a roller coaster cart."

So comedy, then, can give us respite from these Blockers. When we're laughing at the prospect that bureaucrats might come for an elderly couple, we know this is an extrapolation of someone's actual experience. Who hasn't heard of an insurance claim denied? Suddenly we're laughing, and we're also understanding that someone else being afraid doesn't mean they're stupid or wrong. They're just afraid.

And perhaps if we're convinced that liberal bureaucrats are out to get us, that they want to kill our grandparents to save on healthcare costs, laughing might allow us to let go of our storyline, our personal mythology, for just long enough to see something through a different lens. To see a pen, just possibly, as a chew toy.
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Monday, April 13, 2009

Tom Hiddleston - "There is an Iago and a Romeo within all of us, there is that lover, and there is that sociopath."

Our amazing client Tom Hiddleston who I mentioned below did this terrific video for us with his thoughts on compassion. Tom said something that really hit home to me:
"Within all of us there is the capacity to be anyone or anything... There is an Iago and a Romeo within all of us, there is that lover, and there is that sociopath."
I think it's this thought that drew me to this project in the first place. The "there but for the grace of God go I" concept. That none of us is above anything, none is better than anyone else, that we are all where we are due to a unique set of causes and conditions, and we will each experience immense suffering in our lives along with, hopefully, great happiness. As Lama Marut has said, "we are either in a disaster or between disasters." If one lives a life of any length, one experiences great suffering at some point. Even Iago, or Dick Cheney, or anyone we automatically think of as evil and unredeemable. Tom's video tells us how important that understanding is to an actor's process.

Thich Nhat Hanh says, in his remarkable book, Peace is Every Step,
"the essence of love and compassion is understanding, the ability to recognize the physical, material, and psychological suffering of others, to put ourselves 'inside the skin' of the other. We 'go inside' their body, feelings, and mental formations, and witness for ourselves their suffering. Shallow observation as an outsider is not enough to see their suffering. We must become one with the object of our observation. When we are in contact with another's suffering, a feeling of compassion is born in us. Compassion means, literally 'to suffer with.'"
And as Tom Hiddleston points out, compassion gives actors the ability to suffer with the characters they play, which in turns gives us, the audience, an opportunity to identify with these characters, warts and all, to in some small way become one with the object of our observation. And perhaps, to see that we're not alone in the universe. That we're not all that different from them, and they're not all that different from us.

Thank you, Tom!

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