Art Makes A Difference! Tonglen, and how I got out of my head and into The Girl Effect, and the Universal Declaration of Human Rights!

I've been really self-centered lately. I woke up in a self-centered spin, in fact. Here's an edited version of the internal monologue.

Jon's Little Voice

I need a motorcycle. My scooter is fine but
how great would it be to have a Harley.
Or I could get a little bike for the city and
then get a Harley when we're up in Vermont.
Oh speaking of Vermont, I can't believe
we didn't buy that house on Lake Champlain.
Wow, if we bought that house. I could put my
Harley in the garage. Or maybe a Triumph.
Or a BMW, but not a new one. Maybe an old
one. But not too old. I should be a vegetarian.
I should give more money to charity. I need to go
work out that jury duty thing. The letter said
I could go to jail. I should talk to a lawyer. Or
just answer the damn questionnaire. I wonder
how much college will cost for the kids. How
can I help them look at colleges if I'm in jail
for not answering the jury duty questionnaire.
What a loser I am for wanting a Harley.
Should my next tattoo be on the outside of
my arm or the inside? If it's on the inside...

And so on.

We all have our inner monologues, our little voices. (As they say at Landmark, right now your little voice is saying "what's he talking about? I don't have a little voice!") For me, one of the quickest ways to settle it down is... meditation. It helps quiet the voice, and also helps me recognize it when it shows up so I can smile and say "hi, little voice!"

This morning, I worked on some tonglen, which I was reminded of by Marc Ian Barasch's book Field Notes on the Compassionate Life, which, shock, I'm really enjoying. The fantastic Richard Cardillo of Peace Games sent me the book and it's awesome.

If you're not familiar, here is tonglen according to Wikipedia:

"In the practice, one visualizes taking onto oneself the suffering of others, and giving one's own happiness and success to others."

Anyway I'm reeling from this morning's tonglen, which sure as shit quieted down the little voice for a bit. I'm reeling with a sense of urgency. Urgency about compassion. Urgency about any artist's ability to make a real difference in the world by taking on compassion.

I came into the office and started cleaning up my email, ready to take the world by storm, and I noticed this video on the home page of United Global Shift, an organization that, according to its website, is "...causing a united global shift in what is possible for humanity, focusing on the environment, employment, entrepreneurship, health and education. A shift from survival and scarcity to possibility, partnership and peace." Inspiring! Check out the video:


This video, which is a beautifully depicted presentation of the Universal Declaration of Human Rights, is in support of the U.S. Campaign for Burma. The declaration is a thirty-article document adopted by the United Nations in 1948; it's a powerful piece of writing which includes such seemingly obvious statements as, "no one shall be held in slavery or servitude; slavery and the slave trade shall be prohibited in all forms," and "no one shall be subjected to torture or to cruel, inhuman, or degrading treatment or punishment."

Good stuff, right?

Here's the thing. It's been around since 1948 and I barely knew it existed. Maybe you knew about it, and maybe you have it scrawled in soy ink on your living room wall. But I only had the vaguest idea what it was.

And suddenly, through the power of art, through the power of art, design, and music, it's indelibly embedded in my skull. Thanks to someone waking up one day, and with a great heart of compassion, creating this video. It's all obviously important stuff, but I was free to ignore it until I watched this video!

Here's another unmistakable use of art from http://www.girleffect.org/:
Zoo-wee-mama! That's some powerful stuff. But the facts are readily available to us; we all can Google. Why is it that this particular website makes us jump up and pay attention? I've talked about this before, how we're ruled by Feeling, even when we think we pay attention to Reason.

So here you go, artists, use your powerful artist-muscles to make a difference in the world! It'll quiet down the little voice, and you can stop thinking about your Harley long enough to actually do something for someone else out there. Remember, all happiness comes from helping others!

Jon

p.s. I worked out the jury duty thing. All good. No jail. *

Art Makes A Difference! Tonglen, and how I got out of my head and into The Girl Effect, and the Universal Declaration of Human Rights!

Whoops! I forgot to be compassionate! - and a response from Peace Games' Courtney Wong

Whoa! Another week + has gone by and no posting. What's that about? Lest you think I'm sitting here in lotus position, mindfully breathing while I take on the business that is show, I'd like to share the following:

I frequently get so wrapped up in what's going on in my head that I forget to be compassionate.

That's right. Me. I can be a real jerk sometimes! For instance, I'll be on the phone with an agent, or a producer, or a casting director, and they'll say something that just rubs me the wrong way. Can you believe it? Me, Mr. Non-Judgment? Obviously there must be something really really wrong with them if it bothers me. Or maybe I'm just not being compassionate! Maybe I'm so busy being right that I'm not stopping to think about what they want!

Remember that Triumph song from the 70's, "Fight the Good Fight"? Make sure to watch this video from the 1983 Us Festival. At least watch through to the part where Rik Emmett's face is superimposed over an image of the crowd.



Damn, that guy has a high voice. What is it with Canadian singers? Regardless the message is clear: FIGHT THE GOOD FIGHT! What can I do make sure I keep fighting the good fight?

I have an elaborate system of reminders that bring me back to... ommm... compassion. So that when I'm on the phone with someone who's somehow annoying me, I can stop and remember to be compassionate. I can remember what's important to me and why, I can remember to take a breath and come back to the present moment, I can remember why I must be compassionate, how it impacts me when I'm not being compassionate, how it impacts them, and how it impacts the world.

In case you forgot why it's important to be compassionate, click here.

So here are some of my reminders.

1. Buddha on the desk
2. Buddha on the windowsill
3. Pic of my kids on the desk.
4. Pic of my wife on the desk.
5. Pic of my kids and nephews on my big monitor.
6. Plants!
7. Mindfulness bell on my computer
8. Tattoo with my wife and kids' names, and red lotuses (the flower of Avalokitesvara, the bodhisattva of compassion). This is a recent addition, and one that I can take with me wherever I go.
9. Inspiring quotes on my desk. Today, from Chogyam Trungpa, "This very moment is always the occasion."
10. Stacks and stacks of inspiring reading.

If this gets you excited, feel free to find your own ideas. I'd hate to think you were copying me. I especially don't want you getting a tattoo with my wife and kids' names. Or steal, if it really helps. But seriously, don't get my wife and kids' names tattooed on your arm. Seriously. Find your own damn family. Whoops! Off track for a moment.

Anyway I'd like to share one of the other most inspiring things that really keeps me on track––I got an email from our friends at Peace Games who were kind enough to forward this note from one of their interns, Courtney Wong, who's working with them through the New Sector Alliance Summer Fellowship Program. Here, Courtney discussed the posting about Keith Nobbs' experiences in his work. The picture below is Courtney, just to avoid any confusion.

"I was touched by your moving post about Keith’s experiences with compassion in his acting work. The sense of fulfillment and personal impact that Keith felt in his role as an actor, inspiring compassion and empathy in his audience is quite similar to what Peace Games works to instill in its students.

As an intern at Peace Games through the New Sector Alliance Summer Fellowship program in nonprofit consulting, I only became acquainted with the organization’s work a few weeks ago. I hadn’t previously thought about the idea of “peacemaking” and its importance as a fundamental value taught to students, but in learning about Peace Games’ rich history and work by visiting schools and talking to staff members, I realize that it’s really all about teaching students to act with the basic but essential values of compassion, understanding, and mutual respect.

This idea that you write about, that compassion is the key to having an extraordinary impact, is exactly what Peace Games teaches its students. In our classrooms, students learn about and practice these values, in order to understand that their relationships with peers, family members, and teachers must be filled with compassion, respect, kindness, and empathy. This understanding gives students the ability to have an impact beyond the one already felt in their personal relationships – a greater impact on their communities at large, which they reveal through their community service learning “Peacemaker Projects” carried out during the second half of the year.

As you noted, Keith identifies himself and his work as an important contribution, which is Peace Games’ goal for its students as well. We teach students that we must all be a contribution as peacemakers, people who make a difference, and that the differences we make should be about fostering positive changes in our communities based on compassion and respect."

If you're not already familiar with Peace Games, check out this amazing video on their work:

And thanks so much to Courtney Wong for her inspiring words!
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Whoops! I forgot to be compassionate! - and a response from Peace Games' Courtney Wong

Peace Games' Julia Garcia on "Noticing the Other"

Julia Garcia, who's a Peace Games Program Manager, recently read the recent posting on "Noticing the Other" and was kind enough to share her thoughts with us:

"Thanks for this very thought provoking post about 'noticing the other.' As a Peace Games staff person in Boston, it is my pleasure to see children taking part in this compassionate work every day.

The children we work with come from homes and neighborhoods very different from the home I grew up in, however, as you said, they are fundamentally no different from me. These kids yearn to be accepted, loved and respected. And during Peace Games they get a chance to flex their 'compassion muscles' and show their communities just how great they can be.

In the second half of our school year, the students in pre-K – 8th grades participate in 'Peacemaker Projects' that often use the arts as a universal way to communicate their learning. This spring, I have witnessed some of the most extraordinary examples of peacemaking done by children who have true and deep compassion for others.

In one 8th grade class, the children planned and discussed a peace mural that would be hung outside their school to designate it as a 'peaceful zone.' The mural is now finished and the kids feel extraordinarily proud of the hard work they put into their project and for the message it sends to their community. Another class, a 5th grade group, wrote a rap about resisting the temptation to join a gang and have performed it to passersby on the street to raise awareness. Both of these groups felt very connected to the messages of peace they were putting out and were happy to have a way and a place to showcase their compassion for their community and for others.

The arts are a powerful way to communicate compassion—thanks for bringing positive attention to it!"

Julia's personal observation that the kids she works with want what she wants, that they "yearn to be accepted, loved and respected," is fundamental to her ability to work with them. It may seem obvious, but in order to see the humanity and possibility in someone, we first need to see that they are human, and they have the same needs as any human.

Peace Games trains the kids to do exactly what Julia is doing, to see each other as human, and to see the world as full of human beings with infinite possibility.

The Peace Games kids use the arts to express compassion more directly than many actors, writers, or directors I encounter in my daily life in the entertainment business, and the directness of this message is powerful. I am reminded of Eric Dawson, President of Peace Games, and his message last month. Eric talked about how a group of first graders empowered a kid, Brian, who'd previously been bullying them, and made him responsible for their safety.

"What to me is so beautiful about this story is the spirit of compassion, that motivated those first graders to help their friend, and that motivated all of those first graders to sit down with Brian, and instead of saying 'you're a bad kid,' or 'we don't like you, we're gonna come get you,' to say 'here's what we need you to do,' to invite him into their community and set up the expectation that he could be a good, thoughtful contributor to their lives."

What Julia and Eric are pointing out is the power of Peace Games, that when kids can be trained in compassion, they can be trained to act compassionately, and the result of that can be a powerful transformation. These kids saw Brian not as a 'bad kid' but as someone who could make a huge difference in their lives. And because they saw him that way, he became that person, who was capable of being their protector.

This is the impact the arts can have on real, concrete, day-to-day actions. In the same way kids can be trained to express compassion through art, and in that process become more compassionate themselves, artists can take on compassion as a focal point in their art, become more compassionate themselves, and lead audiences to consider the same focus. Imagine the impact if this happened on a large scale, imagine the reach of the American movie business, of the massive numbers of eyeballs glued to television and computer screens watching human stories.

As I have said repeatedly, were every artist or aspiring artist able to see the profound effect of compassion––how a focus on compassion can cause the deepest impact on one's work and life, and create the most heartfelt imprint on the world at large––it would inevitably cause a surge of creativity, inspiration, and compassion among artists, aspiring artists, and their audiences.

Thank you Julia! *

Peace Games' Julia Garcia on "Noticing the Other"

Peace Games' Rena Deitz - "...the recipe for compassion is simple ... to get it right takes practice"

Our friends at Peace Games have been sharing the work on this site with their staff and volunteers. Rena Deitz, a Development and Communications Intern at Peace Games, had this to say about James Suskin's "Recipe for Compassion":

"James Suskin has it right. The recipe for compassion is simple, and has only a few ingredients. However, much like the recipe for a soufflé, to get it right takes practice and expertise. That is where Peace Games comes in. As an intern in Development and Communications at Peace Games I thought I would be dealing only with logistics and fundraising. Instead, everyday I work with compassionate individuals who teach children how to combine the ingredients: people, time and infinite space. By sharing their compassion, they give children the practice and expertise to be compassionate peace builders in their community."

I was inspired by reading this, because it reminded me that compassion exists in all of us as a possibility; each one of us has the capacity to be compassionate at any given moment. If a moment arises where we forget to be compassionate, we need not regret; we must simply be compassionate, and take compassionate action in this very moment. And as Peace Games' work reminds children to be compassionate––or, perhaps, gives them the tools and opportunity to recognize their own, intrinsic, compassionate selves––so can the arts remind all of us to be compassionate in our daily lives.

"Each moment is a chance for us to make peace with the world, to make peace possible for the world, to make happiness possible for the world." - Thich Nhat Hanh

"Compassion is the awareness of a deep bond between yourself and all creatures. But there are two sides to compassion, two sides to this bond. On the one hand, since you are still here as a physical body, you share the vulnerability and mortality of your physical form with every other human and with every living being. Next time you say 'I have nothing in common with this person,' remember that you have a great deal in common: A few years from now -- two years or seventy years, it doesn't make much difference-- both of you will have become rotting corpses, then piles of dust, then nothing at all. This is a sobering and humbling realization that leaves little room for pride. Is this a negative thought? No, it is a fact. Why close your eyes to it? In that sense, there is total equality between you and every other creature." - Eckhart Tolle

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Peace Games' Rena Deitz - "...the recipe for compassion is simple ... to get it right takes practice"

Eric Dawson, President of Peace Games - "Compassion is a state of mind, a state of being, but it's also a set of skills "

When Eric Dawson, President of Peace Games, sent me this video on compassion, my initial reaction was what does this have to do with my project? I'd asked Eric to share with me what his thoughts were on compassion, and how it relates to work in the arts. And here's Eric, telling us a story about a kid who's being bullied. Not an actor trying to relate to a character, or a director showing us a human story. Eric's story is about a tiny first grader, Danté, and a much larger fourth grader, Brian.

What in the world does this have to do with compassion's role in the arts?

Everything.

It took me a second to get that what the first graders did in this story is what every actor, writer, or director strives to do in their work. They saw Brian as a possibility, not as a bad kid who simply needed punishment. Not as someone who deserved a taste of his own medicine, not as someone who was hopeless, or destined for jail. But as a human being, who had within him the potential for good.

Eric said that after Danté was initially bullied, his classmates rallied around him and comforted him. And then, they began to organize. Imagine that, a group of first graders organizing a response to one of their own who'd been hurt. But they didn't organize an angry, frenzied, vengeful response. They first made a short term plan to ensure the safety of their peers: no one would have to go to the restroom by themselves. The bigger kids would accompany the smaller ones.

And then, most powerfully, the kids, along with Danté's mom, empowered Brian. They made him responsible for their well-being. So much so that he took it upon himself to become the protector, big brother, and mentor of the smaller kids.

What they saw in Brian was what Tom Hiddleston described in his earlier post.

"Within all of us there is the capacity to be anyone or anything... There is an Iago and a Romeo within all of us, there is that lover, and there is that sociopath."

Brian wasn't a bad kid. But some set of causes and conditions in his life led him to dunk little Danté's head in the toilet. A great artist recognizes that within that Iago might be a Romeo, or a Martin Luther King, Jr., a Gandhi, or a Barack Obama.

Thich Nhat Hanh said in his astounding book, Anger: Wisdom for Cooling the Flames:

"You can make a mistake only when you forget that the other person suffers. You tend to believe that you are the only one who suffers, and that the other person is enjoying your suffering. You will say and do mean and cruel things when you believe that you are the only one who suffers and that the other person does not suffer at all."

The kids in Danté's class could have easily planned to exact their revenge, to do "mean and cruel things" to Brian, and "teach him a lesson." Surely that's the conventional way we'd expect to see this story played out. But thanks to the amazing work of Peace Games, and some amazing kids, the story turned out very differently. The kids were able to communicate with Brian, because they saw what was possible for him.

Thich Nhat Hanh said in his book, Teachings on Love:

"When we cannot communicate, we get sick, and as our sickness increases, we suffer and spill our suffering on other people."

Brian couldn't communicate in any other way than to act out on Danté. The kids, with their Peace Games training, taught him how.

And what they ultimately recognized is what every artist recognizes: the essential humanity in Brian. That he was not all that different from they, themselves. That something led Brian to act the way he did, and that they could be the cause that could help him act another way.

Thanks, Eric, for your inspiring video!


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Eric Dawson, President of Peace Games - "Compassion is a state of mind, a state of being, but it's also a set of skills "

Why Compassion, and Who the Heck am I to Say Anything About It?

Have you ever watched a character in a film who was nothing like you on the surface, but somehow, you felt like you understood them? Or possibly even more significantly, like they understood you? That there was something in their being that felt totally human, that reminded you of yourself, or a friend, of your family?

Have you ever walked away from a play, or even a TV show, feeling like you understood something differently? That a new point of view that you hadn't previously considered was suddenly as plain as the nose on your face?

I've been working in the entertainment business for close to twenty years, and for many of those years, I was convinced that the business I was in was like any other; it was strategic. You did one thing to achieve another, which led to another, which led to a desired result. An analogy might be that we at SodaCorp repackage our soda in convenient Fridge-Packs™ which would allow the grocers who sell our soda to utilize shelf space more efficiently, and would allow consumers to have a convenient way to store our soda in their refrigerators. We'd have plenty of choices for each consumer's individual taste: regular cola, diet, ginger ale, lemon-lime, even root beer. Something for everyone, each in a convenient Fridge-Pack™ . Consumers would consume more of our product, which would eventually feed back to us as higher profits.

Think about it. An actor comes to Los Angeles or New York, and we, the representatives, the teachers, the casting directors guide them into the right kind of packaging in order to make them the most appealing to the consumers. We guide them to look to the others who have come before them, not as an example of someone who's looked deep into their own heart and found their own, personal path, but as someone to imitate. The windblown hair, the white shiny teeth. The chiseled abs. The casual way they deliver a joke, or how their eyes glisten as they deliver the emotional knock-out blow.

And, for a time, it works. If we package it right, if the goods are of a certain quality to begin with, and there's enough shelf space in that particular section of the market, it flies off the shelves.

For the better part of twenty years, I thought that's how it worked. And apparently, so do a lot of artists. For many, it's all about in order to. I'll do this TV series in order to get the movies I want. I'll do this genre movie in order to be considered for the movies I really want. I'll take this job in order to make the money I need, so that I can do this play in order to be considered a serious actor. I'll try and be more like him in order to get the jobs I want.

I'd spent years strategizing, trying to figure out the “right” next move for each client so that they could someday have what they wanted. And it was working out! I could point to my strategies and see how they'd been productive. If they hadn't worked out, I could point to some unforeseen outside circumstance, something beyond my control that had gotten in the way of my master plan. Of course, I never got full credit in success, because I was never willing to take full responsibility. I couldn't say “do this,” I'd say “it sounds like this is the right choice, based on your feelings and concerns.”

Unknowingly, I was actually exploring a very different territory with my clients, though not with full awareness and therefore not with full power. When I heard them talk about the work to which they were truly drawn, I couldn't help but be touched, moved, inspired, and to support them in their endeavors. It wasn't passive; their passions became mine, and I'd find myself torn between the strategy I thought made sense, and the inspiration I felt in my heart.

Poet and author David Whyte says, in his astounding book The Heart Aroused:

“...if we can see the path ahead laid out for us, there is a good chance it is not our path; it is probably someone else's we have substituted for our own."

I started my company in early 2005, thinking I knew the path laid out ahead of me. But when I was finally in charge, when I could no longer claim I had to live within someone else's worldview, when I realized I was personally responsible for my own point-of-view, I started thinking about what actually inspired me, instead of what I thought should inspire me.

And there it was, right in front of me. Every single artist who truly inspired me, who brought me to tears, who brought me to a new understanding of what it means to be human, who made me laugh, and who inspired me to action, had something in common:

Compassion

My client Tom Hiddleston, about whom who you'll be hearing quite a lot, is quite accomplished with his Latin. Tom says:

"Passion" is from the Latin verb "patior" meaning "to suffer" (participle is "passus" meaning "suffering"). And the "con" part in the preposition meaning "with.” So - literally "suffering with" means taking on another's suffering as your own, a deep kind of understanding and connectedness with another human being. Having compassion for people as a whole, for the whole palette of humanity, all of us with all strengths, weaknesses, our flaws, our nobility and fragility. That's what compassion means to me as an artist. An understanding that no character's suffering or insecurity or weakness or fear or strength is any greater or smaller than my own. ... "patior" has a second meaning in Latin, which is "to allow, "to acquiesce,” "to submit.” So I suppose etymologically "compassion" carries within it an essence of permission, acquiescence, acceptance. Which deepens my understanding of it in terms of having compassion for the characters I play even more.

Another smart guy (H. H. The Dalai Lama) said this:

Whether people are beautiful and friendly or unattractive and disruptive, ultimately they are human beings, just like oneself. Like oneself, they want happiness and do not want suffering. Furthermore, their right to overcome suffering and be happy is equal to one's own. Now, when you recognize that all beings are equal in both their desire for happiness and their right to obtain it, you automatically feel empathy and closeness for them. Through accustoming your mind to this sense of universal altruism, you develop a feeling of responsibility for others: the wish to help them actively overcome their problems. Nor is this wish selective; it applies equally to all. As long as they are human beings experiencing pleasure and pain just as you do, there is no logical basis to discriminate between them or to alter your concern for them if they behave negatively.

Wow, that's a lot to take on. Here we have an artist's point-of-view, and we have the point-of-view of a religious leader who's spent his entire life studying and meditating on compassion. And it sounds to me like they're coming from the same place.

Except here's what I see, every day:

Dude

Dude, you're a manager?

Me

Yeah, that's right.

Dude

Cool, dude, like in Entourage!

Me

Ummm.... yeah.

That ummmm... yeah is me being judgmental, by the way. Not very compassionate of me, I know! But it's not really a true story, it's one I made up to make a point about what is right now. So I'm being judgmental of an imaginary character. That's ok, right? Ermmmm..... oh yeah. Here's what is:

Every day, I encounter people who see entertainment as mercenary, it's about getting something in order to get what they really want, it's about strategy and business planning. And this comes from a group of people who generally got into it completely inspired, people interested in human connection, creativity, and making an impact in the world.

Naturally, this leads to people in the biz feeling resigned, disappointed, and beaten down. They suffer through their work because they have to, they do work thinking it's what they need to do, and very often and very quickly the inspiration and passion that they'd hoped to have in their careers and lives gets drained away. And anyone even considering getting into the entertainment business is led to think that this is how it works, that entertainment is about anything but compassion, it's about business school, and spreadsheets, and foreign sales value.

There's a deep cost to the world that comes from this kind of behavior. We're suffering, and we're being deprived of the things that bind us, that show us what we have in common, that give us hope.

And where does that lead us? To a world full of entertainment created by the uninspired. Sure, there are exceptions, but in a world where artists are being told to focus on business strategy, those exceptions are sure to become rarer and rarer.

Can you imagine a world where careers full of compassion, inspiration, and creativity were commonplace? And what that might make available in the world?

What I have noticed is pretty simple:

1. Compassion is at the center of every career that truly inspires me.
2. Compassion is the key to the most extraordinary career possible.
3. Compassion is the key to making the most extraordinary impact possible
4. Compassion is the key to the happiest life possible.

Wow! Big leap! Especially #4. I mean, seriously, who the heck am I to make that assertion? I'm just a poor suffering schmuck, but there are much smarter people than me who agree:

Again,The Dalai Lama:

The more we care for the happiness of others, the greater our own sense of well-being becomes.

And again:

If you want others to be happy, practice compassion. If you want to be happy, practice compassion.

Another smart guy, Shantideva, from The Guide to the Bodhisattva's Way of Life.

All those who are unhappy in the world are so as a result of their desire for their own happiness. All those who are happy in the world are so as a result of their desire for the happiness of others.

Oh, you think it's only a Buddhist thing, right?

Thomas Browne Sr.

By compassion we make others' misery our own, and so, by relieving them, we relieve ourselves also.

George Washington Carver

How far you go in life depends on your being tender with the young, compassionate with the aged, sympathetic with the striving and tolerant of the weak and strong. Because someday in your life you will have been all of these.

St. Teresa of Avila

Yours are the eyes through which Christ's compassion for the world is to look out.

Albert Schweitzer

It is a man's sympathy with all creatures that truly makes him a man. Until he extends his circle of compassion to all living things, man himself will not find peace.

Mohammed

No man is a true believer unless he desireth for his brother that which he desireth for himself.

Hasidic Proverb

He who feels no compassion will become insane.

And that's the intention of this project, to show how 1, 2, 3 and 4 are possible, and to inspire others to take on compassion as a focal point for their own lives and careers. We'll be seeing video commentary from some amazing people, each with their own personal point-of-view on compassion and how it relates to their work. Along the way we'll be hearing from actors, writers, directors, acting teachers, writing teachers, Zen teachers, educators, people from the nonprofit world, students, and anyone else who has something to say.

I am particularly thrilled to have the participation of Peace Games in this project. Peace Games' mission is to support young people as peacemakers through programs in elementary and middle schools. I have long been impressed with Peace Games' focus on compassion, communication, and activism. Peace Games' students, volunteers, and staff members will participate on our site in a dialogue, responding to the postings on compassion. We'll get to see the direct effect of the videos on young people. The dialogue between members of the Peace Games community who aim to foster compassion in their schools and neighborhoods, and professionals who value compassion in their work, will be an exciting concept around which to build a unique online community.

As a result of this partnership, not only is there an opportunity to inspire our Peace Games community, but an opportunity to reach thousands worldwide and energize them about the value of compassion in their own lives.

Come back to our site for regular updates, videos, essays, and commentary, showing how compassion has made a difference in the lives of our participants, and to get inspired by seeing how it can make a difference in your own life. *

Why Compassion, and Who the Heck am I to Say Anything About It?